February 5, 2010

Don’t Trust Your Photographs

Since I bought Fleet Foxes’ self titled album in 2008 I have been looking for a copy of the lp insert somewhere on the internet to post on this blog.  As far as I know its not out there, which is a real shame because it is truly a nice piece of writing.  So I have taken the liberty of transcribing it to the web myself.  The musings of Robin Pecknold written under his pseudonym Warren Gamaliel Bancroft Winnipeg Harding really rang true with me.  He puts into words what I have often pondered and thought about; that Music can be a medium/vehicle through which communion with a deep intangible aspect of human nature is made possible.

“My first memory has always been of me and my mom on a cold grey day down at some beach in Washington, along the Puget Sound somewhere near Seattle.  I would be around two or three years old and we’re with a friend of mine from the neighborhood and his mom, walking around among the driftwood looking for crabs.  Even now, I can remember the smell and temperature of the air, the feeling of the sand and the swaying tall grass.  I can even remember looking over at my friend and how his face looked when he smiled back at me.  Another memory that I’ll sometimes recall as my first memory is dressing up in the dead of winter as Jack London, with tennis rackets on my feet and wearing my dad’s hiking pack, in the middle of summer after seeing Disney’s (terrible) version of White Fang. Or there’s the memory of stealing my neighbor’s big wheel and riding it halfway down the block before getting caught and having to turn around defeated, or of wearing a fireman’s outfit while washing my parents’ car, or eating an orange popsicle from the ice cream truck.

These are and have always been some of my most distinct and persistent memories of childhood, so it came as a disappointment to me when, one day as a teenager, I opened up a photo album and found pictures of each and every one of those memories.  I didn’t have a single memory that didn’t belong to or somehow grow from pictures my parents had taken of me when I was growing up.  Even the scenes I remember so clearly in my head are from the same angles as those photographs and I don’t really know what to make of it.  I’m going to guess that I’d seen all these photographs at some point, forgotten they were just photographs, and over time made them into my most tangible memories.  That’s scary to me in a way.

This leads me to something weird about the power that music has, its transportive ability.  Any time I hear a song or record that meant a lot to me at a certain moment or I was listening to at a distinct time, I’m instantly taken back to that place in full detail.  Whenever I hear “Feel Flows” by the Beach Boys, I’m taken straight to the back of my parents car on the way to my grandparent’s place, fourteen with Surfs Up in my walkman and the Cascade Mountains going by in the window.  Any song off Radiohead’s Kid A brings back the sounds and atmosphere of the airport near Seattle, from when we were on the way to Colorado for a wedding and Kid A was the only record I brought or wanted to bring. “Crayon Angels” by Judee Sill is the whole winter of last year, and Brian Wilson’s solo version of Surfs Up will take me back to driving my parents’ car around town alone at the age of 16 with the windows down at night.

I can ascribe exact memories to songs by the Michrophones, Joni Mitchell, Built to Spill, Dungen, Harry Nilsson, and so many others, and it’s a form of recall that I can actually trust.  There’s no visual element to complicate things, no chance of a planted memory that wasn’t actually supposed to be there and that is reassuring to me.  Maybe I should be concerned that I’m alone in almost all these memories, but I guess I was just a private kid and music was a private experience for me.  I can even remember the certain kind of darkness my room would have when I was in there alone listening to records.  I can read a good book cover to cover and never once forget I’m sitting in the middle of four slabs of drywall on a spring mattress in Seattle- same with movies and TV and anything else.  I can listen to music and instantly be anywhere that song is trying to take me.  Music activates a certain mental freedom in a way nothing else can.  And thats empowering.  You can call it escapism if you like, but I see it as connecting to a deeper human feeling than found in the day-to-day world…

Music is a weird cosmic thing, its own strange religion for nonbelievers, and what a joy it is to make, in any form. Don’t trust your photographs.”

Warren Gamaliel Bancroft Winnipeg Harding
Chicago, Illinois
April 6th, 2008

February 2, 2010

Song of the Week

Canadian teen actor turned rapper, Drake, released his most recent mixtape in early 09, propelling him into mainstream music.  Since then he has been all over the place including a performance at the Grammys last week.  Pretty impressive considering he has yet to release a proper full length album.  I’ve been listening to the track Ignant Shit from the So Far Gone mixtape on repeat for days.  The up tempo track built around Notorious B.I.G.’s Juicy sample features Drake’s mentor and label mate Lil Wayne.  Check it out, its genius.

“I think better when i’m not sober, I smoke good aint no glaucoma”

Drake- Ignant Shit (feat. Lil Wayne)

Bonus:

Drake- So Far Gone mixtape

January 29, 2010

Auguste Arthur

I saw A.A. Bondy for the fourth time on Wednesday and it was by far the best performance of them all.  Bondy is an incredible musician and performer.  Fresh off his sophomore 2009 release Bondy changed things up and played with a backing group that added percussion, bass, pedal steel, and synthesizer to create a warm thick sonic blanket at the show.  Bondy’s studio albums do no justice to the music he performs live.  He is one of the few artist that sound better live than on the record.  In the interesting interview posted below Bondy talks about the dynamics of his music and his struggle to capture the more nuanced aspects of music in the studio.  I’ve also posted two live studio sessions with Bondy’s backing group and an incredible live version of the last track from When the Devil’s Loose.

Really one of the most fascinating singer/songwriters I’ve ever met.

January 25, 2010

Song of the Week

Miike Snow is the self titled 2009 debut/collaboration from three independently successful Swedish music producers.  Their album got mixed reviews but a lot of remixes in the club and electronic scene.  My favorite track from the album is a song called Silvia.  The track is loaded with really cool arpeggiating vocoders.  Silvia is always the first track I skip to when listening to Miike Snow.  British DJ/Producer Sinden just dropped an excellent remix of Silvia last week.  I happen to like the remix just as much as the original so i’m throwing both up this week.

Miike Snow- Silvia

Miike Snow- Silvia (Sinden Remix)

January 16, 2010

Top 09 of 09

I came down with a really bad stomach flu last night and ive been bed ridden all day so I figure now is as good a time as any to post my favorite albums of 2009.  Just in case you’re wondering, I was enjoying the summer in the southern hemisphere all last month so that is the reason for the delay on this post.

9. Passion Pit- Manners

Passion Pit’s full album debut was one of the more “buzzed” about albums of the year.  This very danceable album got a lot of treatment from djs throughout the year.  Yet after all the remixes and reworks the album still holds up pretty well on its own as one of the most entertaining electro pop albums of the year.

Passion Pit- Manners

8. Major Lazer- Guns Don’t Kill People, Lazers Do

With out a doubt Switch and Diplo’s collaborative music project Major Lazer released the best dj album of the year.  Guns Don’t Kill People, Lazers Do has quickly become one of the most popular Dance Hall/Reggae Fusion albums to hit the U.S.  These anglo-saxon djs have single handedly brought dancehall as well as a talented group of up and coming dancehall artists featured throughout the album into the mainstream of American music.  Guns Don’t Kill People, Lazers Do was defiantly my party album of the summer.

Major Lazer- Guns Don’t Kill People, Lazers Do

7. Grizzly Bear- Veckatimest

Grizzly Bear’s highly acclaimed third album Veckatimest was one of those timeless albums you grow to appreciate more and more with every listen.  Veckatimest is a subtle and meticulously crafted album.  The album’s cohesiveness and flow make Veckatimest feel like a single musical arrangement.  Grizzly Bear prove once again their musical prowess and knack for quality songwriting.

Grizzly Bear- Veckatimest

6. Conor Oberst and the Mystic Valley Band- Outer South

Outer South is raw americana rock. Even if already done many times before Outer South uses a tried and tested formula for enjoyable music.   There are tracks on this record that you have to listen to with the volume cranked all the way up (i.e. To All the Lights in the Windows, Nikorette, Roosevelt Room, I Got the Reason #2).  Oberst’s ravish lyricism breaks through on much of the record with despairing and furious vocals reminiscent of earlier Bright Eyes records. Conor Oberst’s second collaboration with The Mystic Valley Band was one of my personal favorites in 2009.

Conor Oberst and the Mystic Valley Band- Outer South

5. A.A. Bondy- When The Devil’s Loose

If you haven’t heard A.A. Bondy you gotta check this guy out, he is one of my favorite musicians.  Scott Bondy’s second release under his moniker sounds much like his debut American Hearts but with a bigger soundscape, more instrumentation, and a touch of reverb.  A.A. Bondy’s music is pure nostalgia that reminisces of a forgotten bygone era.  I can’t help but feel transported back to America’s Heartland in the midwest where I grew up every time I listen to his albums.  Bondy’s crooning voice is as haunting as it is soothing.  When the Devil’s Loose is not groundbreaking nor innovative but a simple collection of warm, comforting songs that are perfect for a serene and secluded afternoon.

A.A. Bondy- When the Devil’s Loose

4. Girls- Album

Girls’ have a distinct 60’s pop-rock sound reminiscent of Elvis Costello and Buddy Holly combined with the more drug induced music of the same era. Album’s warm lo-fi production feels like a used record pulled out of a dusty crate. Album really grows on you with each listen.  While the pace and tempo of the album varies, the mood is consistent throughout.  The pervading feeling of Album is frustration and depression with a uncanny sense of resolve and optimism.  Yet the conspicuous angst in the lyrics and vocals never manage to overwhelm or drag down the airy upbeat music of the album.  Girls’ Album is a compelling and fascinating debut from the young San Fran bay area musicians.

Girls- Album

3. Phoenix- Wolfgang Amadeus Phoenix

Phoenix is the biggest success story of 2009.  The grammy nominated french band has sold over a 100,000 albums, played on SNL and other late night shows, and had their catchy single 1901 played all over TV in the widely viewed Cadillac commercial.  The band’s success is in no way undeserved Wolfgang Amadeus Phoenix is an amazing album. The band’s close ties to other successful french acts Air and Daft Punk are evident in the electronic alt rock sound of Phoenix.  The album has the feeling of an 80’s record but with a very contemporary sound.  I can’t help but be struck by how clean and tight every track is. The simple yet profound love themed lyrics have a way of seeping deep into your skin.   Totaling in at 9 bigger than life tracks Phoenix leaves the listener wanting more in a strangely satisfying way.

Phoenix- Wolfgang Amadeus Phoenix

2. The XX- XX

The XX are four 20 year old Londoners that have come out of no where to receive almost universal acclaim for their self-produced self-titled debut.  The opening track “Intro” sets the mood for the entire album.  The minimalist sensual music of XX is nuanced and deep-seated.  The staccato rhythm of synthetic beats are overlaid with the echoey reverb of guitars and deep pulsating bass.    The sex driven lyrics are passed back and forth between the female and male vocalist in an almost conversational manner.  Every song feels as intimate and personal as the copulatory motif of the entire album. XX is an impressive album that really has no equal.

The XX- XX

1. Animal Collective- Merriweather Post Pavilion/Fall Be Kind (EP)

When I posted the leak of Merriweather Post Pavilion late in December of 08, I suggested that it could be the album of the year in 2009.  It is surprising that an album released so early in 09 has remained at the top of music critics’ lists throughout the year.  Even more impressive is Merriweather Post Pavilion living up to and even exceeding the level of hype and expectation for the band’s follow up to their critically acclaimed Strawberry Jam. So what made Merriweather Post Pavilion so impressive?  Psychedelic music has been around since the 60’s but Animal Collective has created something new, unprecedented, and even independent from the vast work of music that has preceded them.  Guitars have been the mode for psychedelic music for decades but Animal Collective has created a style that is born almost purely out of sequencers, effects processors, drum machines, and a myriad of other electronic devices rather than instruments.  While this use of technology is not new it is their manipulation and implementation of machines that separates them from anything else out there.  They are able to create music through circuits and wires that doesn’t sound stale or synthetic.  Merriweather Post Pavilion is a lush and completely enveloping album.  Every track is dense with layers of rich sounds that develop into an engaging composite full of melodies and catchy hooks.  Animal Collective followed up Merriweather Post Pavilion with the release of the Fall Be Kind EP which I have also included here in the number one slot.  Fall Be Kind is is a collection of B-sides from the Merriweather Post Pavilion recording sessions and deserves to be included as a logical extension of the album’s ingenuity.  All in all Animal Collective dominated the music scene in 2009 and released some of the most extraordinary music of the decade.

Animal Collective- Merriweather Post Pavilion

Animal Collective- Fall Be Kind (EP)

January 13, 2010

Song of the Week

I’ve decided to do something new this year with this blog, call it a resolution if you’d like.  It will be called Song of the Week.  The concept is pretty self explanatory yet I will explain a little.  I’m a whole thing kinda guy (a characteristic of collectors such as myself).  If I am going to listen to music I almost always prefer to listen to whole albums at a time.  There are NO singles in my music library.  It doesn’t matter if I only like one song, I must have the full album (symmetry and completeness are very gratifying to me).  This has even reached the extreme of obsessing over having as many complete discographies in my library as possible.  Anyway all that being said there are just some songs that I like so much and are so good that I listen to them over and over.  I am sure that this is not a unique reoccurring experience to me alone.  So once a week I will post a track that I have been listening to obsessively for your consumption.

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Illustration by Steven Venbroek

Spankrock producer XXXchange makes some really good music and this remix is no exception.  Thom York’s title track from The Eraser is already a favorite but XXXchange’s upbeat rework makes it addictive and strangely hypnotic.

Thom York- The Eraser (XXXchange Remix)

January 12, 2010

Shakira Shakira

When I posted the title track single She Wolf last fall I said that if the song was any indication of what the album would be like then it might be worth listening to.  As it turns out it was.  Shakira’s latest album is infused with electro and dance hall rhythms and beats .  There are some really good tracks on She Wolf that have been my guilty pleasure for the last few weeks, especially “Did It Again ft Kid Cudi” and “GIve It Up to Me ft Lil Wayne.”  Overall She Wolf is a good pop album but more notable is its dance influenced music and production which seems to be an ever growing trend in the world of Top 40’s mass market music consumption.

Shakira- She Wolf

January 9, 2010

Brothersport

I just got back from a month long vacation in the beautiful fertile lands of my mother Quinchamali, Chile.  Its been a while since i’ve posted anything and i’m super behind on music but I promise there will be a lot more posts coming soon.  In the meantime check out Animal Collective’s new black light psychedelic egg fest video for Brothersport!  This video seriously reminds me of  the tunnel scene in Willy Wonka.  Just visualize Gene Wilder singing:

“There’s no earthly way of knowing
Which direction we are going
There’s no knowing where we’re going
Or which way the wind is blowing
Is it raining? Is it snowing?
Is a hurricane a-blowing?
Not a speck of light is showing
So the danger must be growing
Oh, the fires of hell are glowing
Is the grisly reaper mowing?
Yes! The danger must be growing (Faster! Faster!)
For the rowers keep in rowing (Faster! Faster!)
And they’re certainly not showing (Faster! Faster!)
Any signs that they are slowing (Faster! Faster!)
Stop the boat.”

November 30, 2009

Boom for my tomb…

“When I die I am going to ask for ‘boom for my tomb’…two speakers mounted on my casket that play music until they don’t work anymore…and the pastors final words will be ‘Rave is King, Amen.’”

The Bloody Beetroots- Warp 1977

November 18, 2009

Kid Sister

Chicago emcee Kid Sister finally released her long awaited and anticipated album, Ultraviolet (a total of 3 years in the making).  Kid Sister has risen straight out of the the Chicago electro scene and this album is proof, just look at the album credits.  The tracks on this album are produced by some of the most sought after and talented producers in electronic music today including Rusko, Steve Angello & Sebastian Ingrosso, Sinden, XXXChange, Brian Kennedy, Herve, Yuksek, and DJ Gant-Man, not to mention her brother J2k of Flosstradamus and her boyfriend Fools Gold Records exec. and superstar DJ A-Track.  Its not hard to see how this more a dance album than it is a rap album.  I love Kid Sister, she stole my heart when her music first started surfacing in 2007.  Unfortunately the album is defiantly not what it has been hyped up to be over the last 3 years (its kinda hard to live up to that much hype anyway).  Almost half the album is old material that has been out for quite sometime.  All of that said it is understandable why some might be unenthusiastic and even disappointed with Ultraviolet.  Nonetheless, Ultraviolet (even if a year or two late) is an innovative fusion of club rap and electronic music that only continues to grow in popularity and demand.  The album is seamlessly mixed from track to track creating a continuous mix that feels like a DJ set.  This continuity only exists in transition due to the variety in styles throughout from disco to juke to dub-step.  Kid Sister’s debut is a solid album.  She has proven she can make some really bang’n music I just hope it doesn’t take as long next time.

Kid Sister- Ultraviolet

1. Right Hand Hi
2. Life On TV
3. Big n Bad
4. Step feat. Estelle
5. Let Me Bang 2009
6. Pro Nails feat. Kanye West
7. Daydreaming feat. Cee-Lo
8. Switch Board feat. DJ Gant-Man
9. 54321
10. Get Fresh
11. You Ain’t Really Down
12. Control

Kid Sister came to SLC this month and put on a great show in a tiny little club.  W Lounge went off.  Peep some of the pics I took below (she is such a babe).

Check out the rest of them here.